From the late 1920s through World War II, film became a crucial tool in the state of Japan. Detailing the way Japanese directors, scriptwriters, company officials, and bureaucrats colluded to produce films that supported the war effort, Imperial Screen is a highly readable account of the realities of cultural life in wartime Japan. High's treatment of the Japanese film world as...(展开全部)

From the late 1920s through World War II, film became a crucial tool in the state of Japan. Detailing the way Japanese directors, scriptwriters, company officials, and bureaucrats colluded to produce films that supported the war effort, Imperial Screen is a highly readable account of the realities of cultural life in wartime Japan. High's treatment of the Japanese film world as...(展开全部)

The Japanese invasion of Shanghai in 1937 led some thirty million Chinese to flee their homes in terror, and live—in the words of artis t and writer Feng Zikai—“in a sea of bitterness” as refugees. Keith Schoppa paints a comprehensive picture of the refugee experience in one province—Zhejiang, on the central Chinese coast—where the Japanese launched major early offensives as we...(展开全部)

This volume sheds light on the important role of copper in early modern Sino-Japanese trade. By examining the demand for copper and the policy on copper procurement in Japan and China as well as the role of Osaka merchant houses, this volume provides a new slant on the “life” of Japanese copper – from production and distribution to consumption. In addition, papers on other sign...(展开全部)

This volume sheds light on the important role of copper in early modern Sino-Japanese trade. By examining the demand for copper and the policy on copper procurement in Japan and China as well as the role of Osaka merchant houses, this volume provides a new slant on the “life” of Japanese copper – from production and distribution to consumption. In addition, papers on other sign...(展开全部)

Shaun O’Dwyer is a professor in the Faculty of Languages and Cultures at Kyushu University, Japan. His research focuses on philosophy and the history of ideas.

Approaches the recent resurgence of the fantastic in Chinese cinemas Offers the framework of ‘Sino-enchantment’ as a new theoretical lens through which readers can engage elements of the fantastic in Chinese cinema Addresses the increasing prominence of fantastic narratives, imagery and styles in Chinese films Interested not simply in CGI effects, but as much in the ideological...(展开全部)

Chinese rulers and statesmen were naturally concerned about the issue of war, when to wage it, when it was justified, and when to avoid it. Although much has been asserted about how these issues were understood in Chinese culture, this work is the first study actually to focus on the debates themselves. These debates at court proceeded from specific understandings of what const...(展开全部)